Mirrors

ENGLISH FURNITURE & ASIAN ART

Mirrors

English mirrors occupy a distinctive place within the history of the decorative arts, uniting utility, ornament, and architecture in a single form. From the late 17th century through the Georgian period and beyond, the finest examples were conceived not simply as reflective surfaces, but as powerful decorative statements, enriching light, space, and atmosphere within an interior. Whether carved in marquetry, giltwood, worked in gesso, or designed with elegant restraint, they display an extraordinary command of proportion, detail, and craftsmanship.

 

Their development was closely tied to architecture and interior design, and also shaped by wider European and, at times, Asian influence. English makers responded with remarkable invention, producing mirrors that could be grand and theatrical, delicate and refined, or richly expressive in their ornament. At their best, they reveal the same qualities that define the finest English furniture, namely beauty, balance, confidence, and a deep understanding of decorative effect.

 

Below you will find pieces that embody this tradition, including rare and important examples chosen for their quality, character, and historical significance.

  • A PAIR OF GEORGE II GILTWOOD GIRANDOLES
  • A GEORGE I CARVED AND GILDED MIRROR ATTRIBUTED TO JOHN BELCHIER
  • A CHARLES II OLIVEWOOD MARQUETRY MIRROR
  • THE HAMSTERLEY HALL SILVERED MIRROR
  • THE GODOLPHIN PIER GLASSES ATTRIBUTED TO JOHN BELCHIER
  • A GEORGE III IRISH CUT-GLASS MIRROR IN THE MANNER OF JOHN DEDEREK AYCKBOUM
  • A PAIR OF GEORGE III CARVED AND GILDED MIRRORS
  • A GEORGE I CARVED AND GILDED MIRROR
  • A GEORGE III GILTWOOD MIRROR
  • A GEORGE I GILTWOOD GESSO MIRROR
  • A CHINESE EXPORT REVERSE-PAINTED MIRROR DEPICTING THE SHEPHERDESS AND FALCONER
  • A CHINESE EXPORT REVERSE-PAINTED MIRROR