Japanese Lacquer & Works of Art
A SILVER MODEL OF A SWIMMING CARP, SIGNED MORIYOSHI, ON A LACQUERED WOOD STAND
Provenance
Private Collection: London
Literature
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Oliver Impey and Malcolm Fairley, Meiji No Takara: Treasures of Imperial Japan, vol. II, Metalwork (London, 1995), cat. 102.
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Joe Earle, Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection (London, 2002), cat. 198, pp. 284–85.
A SILVER MODEL OF A SWIMMING CARP, SIGNED MORIYOSHI, ON A LACQUERED WOOD STAND
Japan, Meiji period, late 19th century
The carp is cast and finely chased in silver, naturalistically modelled in a swimming position, its body raised above the stand and supported on its four fins. The mouth is open, and the gilt eyes have shibuichi pupils directed downwards. The underside bears the signature Moriyoshi within an oval reserve. Standing on a black marble base
During the Meiji period, Japanese metalworkers increasingly applied the casting, chasing and inlay techniques traditionally associated with sword fittings to naturalistic sculpture. Fish, birds and other animals became subjects for okimono, or ornamental display pieces, allowing craftsmen to demonstrate their skill in modelling and surface decoration.
In Japanese culture, the carp (koi) is a symbol of strength, perseverance and success. Its significance derives in part from the Chinese legend of a carp swimming upstream and leaping the Dragon Gate waterfall, whereupon it transforms into a dragon. The story became an allegory of determination and achievement, and the carp consequently became an auspicious motif in Japanese art, particularly associated with courage and advancement.